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  1. Oren Ambarchi, Konrad Sprenger, Phillip Sollmann - Panama / Suez

    Oren Ambarchi, Konrad Sprenger, Phillip Sollmann - Panama / Suez

    A-TON is proud to announce Panama / Suez, the first EP by trio Oren Ambarchi, Konrad Sprenger and Phillip Sollmann (aka Efdemin). The three multi-instrumentalists collaborated with the goal of creating subtly shifting musical passageways: sonic routes that run between continents of musical category. The results are two variations of kraut-y, groove-based post-techno that unfurl through mutating polyrhythms and chiming, ethereal guitar play - a rare moment of guitar and techno in deep embrace. With a potential to sustain energy on experimental dancefloors, Panama / Suez lives from Ambarchi, Sprenger and Sollmann's diverse input while reflecting a common penchant for both pop and the hypnotic. Oren Ambarchi's works are hesitant and tense extended songforms located in the cracks between several schools: modern electronics and processing; laminal improvisation and minimalism; hushed, pensive songwriting and the physicality of rock music. Ambarchi has performed and recorded with a diverse array of artists such as Fennesz, Charlemagne Palestine, Sunn O))), Thomas Brinkmann, Alvin Lucier, John Zorn, Manuel Go¨ttsching, Merzbow and Phill Niblock (amongst others). His trio with Keiji Haino and Jim O'Rourke performs in Tokyo annually with many of their concerts documented on Ambarchi's Black Truffle label. Ambarchi has released numerous recordings for labels such as Touch, Drag City, PAN, Editions Mego, Southern Lord, Kranky and Tzadik. His latest LP, 2016's Hubris, was released on Editions Mego. Konrad Sprenger is an artist, composer, producer and owner of the Stack Music imprint. His 2017 album for PAN, also titled Stack Music, features his signature use of guitar as a frequency generator, tuned and set into motion by electronically controlled mechanical devices. The music relates to the insistent rhythms of minimalism, krautrock and techno, and their shared focus on transcendence through propulsive, full-spectrum sound. Next to his previous collaborations with Phillip Sollmann he has also worked together with composer Arnold Dreyblatt and composer / instrument builder Ellen Fullman. Phillip Sollmann aka Efdemin is a German DJ, producer and musician based in Berlin. Known for his dubby, psychedelic take on both house and techno, he has released numerous 12's on various labels, including three albums on Dial Records. His most recent release, a co-production for both his own Nai¨f imprint and Curle, is a hybrid mix CD / seven-EP colossus. A longtime resident at Berghain and Panorama Bar, he has also recently turned his attention toward experimental and microtonal composition, including 2017's Harry Partch-inspired Monophonie concert series and the collaborative LP Gegen die Zeit, released on Dial sublabel Sky Walking. A-TON freut sich, Panama / Suez anzuku¨ndigen, die erste EP des Trios Oren Ambarchi, Konrad Sprenger und Phillip Sollmann (alias Efdemin). Die drei Multiinstrumentalisten kollaborierten mit dem Ziel, sich subtil verschiebende, musikalische Verbindungswege zu erschaffen: klangliche Routen, die zwischen Kontinenten musikalischer Kategorien verlaufen. Das Resultat sind zwei Variationen krautigen, Groove-basierten Post-Technos, die sich mittels mutierter Polyrhythmik und la¨utendem, a¨therischen Gitarrespiel entfalten - ein seltener Moment von Gitarre und Techno in enger Umschlingung. Mit dem Potenzial die Energie experimenteller Dancefloors aufrecht zu erhalten, lebt Panama / Suez von Ambarchis, Sprengers and Sollmanns respektivem Input bei gleichzeitiger Reflektion eines gemeinsamen Faibles fu¨r Pop und das Hypnotische. Oren Ambarchis Arbeiten sind zo¨gerlich und spannungsvoll verla¨ngerte Songformen in den Rissen zwischen verschiedenen Schulen: moderne Electronics und Bearbeitungen; laminale Improvisation und Minimalismus; geda¨mpftes, nachdenkliches Songwriting mit der Ko¨rperlichkeit von Rock Music. Ambarchi trat und nahm auf mit einer breiten Aufsstellung an Ku¨nstlern wie Fennesz, Charlemagne Palestine, Sunn O))), Thomas Brinkmann, Alvin Lucier, John Zorn, Manuel Go¨ttsching, Merzbow, Phill Niblock und anderen. Sein Trio mit Keiji Haino und Jim O'Rourke tritt ja¨hrlich in Tokyo auf, viele ihrer Konzerte wurden auf Ambarchis Black Truffle-Label dokumentiert. Ambarchi hat auf zahlreichen Labels wie Touch, Drag City, PAN, Editions Mego, Southern Lord, Kranky und Tzadik vero¨ffentlicht. Sein ju¨ngstes Album erschien auf Editions Mego (Hubris, 2016). Konrad Sprenger ist Ku¨nstler, Komponist, Producer und Eigentu¨mer des Stack Music-Labels. Sein ebenfalls Stack Music betiteltes Album (PAN, 2017) war gekennzeichnet durch sein charakteristisches Gittarespiel als Frequenzgenerator, gestimmt und in Bewegung gesetzt durch elektronisch kontrollierte mechanische Apparate. Die Musik verha¨lt sich zu den eindringlichen Rhythmen von Minimalismus, Krautwock und Techno, ihrem gemeinsamen Fokus auf Transzendenz durch einen vorwa¨rtstreibenden, das gesamte Klangspektrum abdeckenden Sound. Neben seinen fru¨heren Kollaborationen mit Phillip Sollmann arbeitete er mit Komponist Arnold Dreyblatt und dem Instrumentenbauer und Komponisten Ellen Fullman. Phillip Sollmann alias Efdemin lebt als DJ, Producer und Musiker in Berlin. Bekannt fu¨r seine dubbige, psychedelische Interpretation von sowohl House als auch Techno hat er einige 12'es auf unterschiedlichen Labels vero¨ffentlicht, inklusive dreier Alben auf Dial Records. Sein ju¨ngstes Release, eine Koproduktion seines eigenen Nai¨f-Labels und Curle, ist Hybrid- Mix-CD als auch sieben-EP-Release-Koloss. Er ist langja¨hriger Resident in Berghain und Panorama Bar, zuletzt wandte er sich mehr experimentellen und mikrotonalen Kompositionen zu, wie die 2017er, von Harry Partch inspirierte Konzertreihe Monophonie als auch die Kollaborativ-LP Gegen die Zeit, erschienen auf dem Dial-Sublabel Sky Walking.
    Per saperne di più
    13,00 €
  2. Ninos Du Brasil - Vida Eterna

    Ninos Du Brasil - Vida Eterna

    Nico Vascellari and Nicolò Fortuni come out to play in the dark on their 3rd and deadliest LP as Ninos Du Brasil, taking their fascinations with ritual musics - from Brazilian Afro-Latin tribal rhythms to library music and freezing Scandinavian BM - deep into the festering undergrowth of their shared, exotic aesthetic. Where the cover of their first LP for Hospital Productions, Novos Mistérios (2014), depicted a naked man covered by a leopard pelt, Marvin Gaye Chatwynd's oil painting of a screeching Chiroptera in flight on the Vida Eterna jacket makes a strong visual allegory for NDB's finer tuned spatial sensitivities inside, with their churning rhythms now embedded in fathoms of dread space and father shaded in layers of processed vocal chants, both punk, metal, and tribalistic. The big highlight is no doubt the closing cut, Vagalumes Piralampos, where Arto Lindsay, the legendary founder of DNA, chimes in on a stygian, moonlit jag between the eyes of bossa nova, batacuda and the sort of esoteric electronics also charted by Rainforest Spiritual Enslavement or Cienfuegos. But it only really makes sense after you've expended your energies along with the band thru monstrous techno shakedowns such as O veto Chama Seu Nome, the soca-like rush of Condenado Por Un Idioma Desconhecido, or found yourself lost, without coordinates, in the pitch black breakdown of No Meio Da Noite and have been hypnotised by the stalking rhythms and atmospheres of Em Que O Rio Do Mar Se Toma. The creation of this album, inspired by vampirism, was born from a collaboration between Vascellari and Fortuni with producer Rocco Rampino., whose love of dense textures and low-end bombast masterfully and cleverly couples with the bands explosive percussive charge, resulting in eight tracks that mimic sharp blades scything through a nocturnal jungle.
    Per saperne di più
    26,00 €

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