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Once again Umiliani emerges as a tireless, versatile composer whose output went well beyond ‘Mah Nà Mah Nà’, the hugely popular song that made him eternally famous.
The idea behind the album is to view Umiliani’s electronic output as the work of a scientist of some sort – a chemist or master craftsman who created magic in his laboratory or workshop. There is a dreamy, ambient quality at work here: the Maestro builds hypnotic, minimalist sonic landscapes through layers of sharp synths, including Moog, Arp, and VCS3. This music could fit equally well in a sci-fi documentary, a post-apocalyptic film, a television report on climate change, or a journey through outer space.
L’Uomo Elettronico features 3 previously unreleased tracks, as well as rarities and hidden gems, all composed between 1972 and 1983 and remastered from the original analogue tapes.